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I touchdown at 11:45 with a 50 pound lick and a couple hard nines
Now I'm back on the grind on my side I got a nine And I'm a go blind if you disrespect my mind Fuck, I'm fresh out that pad door still smokin' cali dro Still totin' calicos You niggas ought to know I was cold at 16, man I'm in n out of prison My father figure dead so that's how a nigga livin' What would you do, if you was Boo? Kill every nigga who hate on you Ridin round scared thinkin' a nigga finna play with you I'm Rambo in that bottom cause I lay down law It's consequences when u play me cause I lay down chalk If you ain't heard about Lil Boosie then I'm making my mark I cutt ya throat and take ya house, thats that Souja Slim talk If you got money they can't never hold it down in the dark They can make you feel brave but that money don't talk, and I... [Hook: x4] I touchdown cause hell Touchdown to cause hell x3 And I told myself I wasn't go go to jail but I lied Now my Momma on her knees and she cry And my daughter askin' where her daddy at and why? (where he at and why?) Now the feds on a nigga hard Got to put my whip up cause Lil Boosie smart I touchdown, I'm blues in the block If ya owe me better pay me or I'm bruisin' ya now To tall you hoes who ain't chose don't holla now I got a lot of money now and I'm wilder now Detective Wayne you frog eyed looking bitch You gon' take my .45 cause you can't afford a nigga shit Oh well give me a bond, put me back in orange Oh well i’m in this bitch and no i don’t learn Got to get my pad and hit my bunk and write some savage shit Wait on my name to be called like hash packing shit [Hook: ]
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Matthew Sweet and Susanna Hoffs continue their parade through pop's past with Under the Covers, Vol. 3, a third volume that brings the duo into the '80s. This just so happens to be the decade when both singers began their professional careers. Hoffs went supernova with the Bangles in 1986, the same year Sweet released his debut Inside on Columbia, and while it'd be another half-decade before Matthew experienced his own flush of success, the two are steeped in the underground pop culture of the '80s, where the records of the '60s were celebrated and refracted through the Paisley Underground, R.E.M., and even the one-hit-wonders dotting the landscape of MTV. Under the Covers, Vol. 3 pays tribute to all these sounds and more, balancing MTV hits ('Save It for Later,' 'They Don't Know,' 'Our Lips Are Sealed,' 'Trouble') with songs that were staples on college radio in the '80s: R.E.M.'s 'Sitting Still,' the dB's 'Big Brown Eyes,' the Bongos' 'The Bulrushes,' XTC's 'Towers of London,' the Smiths' 'How Soon Is Now,' and Echo & the Bunnymen's 'Killing Moon.' Sweet and Hoffs remain true to the sweet, slightly wistful, guitar-heavy aesthetic they etched out on the earlier albums and it fits these robust melodies, placing an emphasis on the songcraft and the duo's harmonies. While they never reinterpret the songs -- sometimes the arrangements are stripped-down, as on Roxy Music's 'More Than This,' but the attitude remains the same -- Sweet & Hoffs identify why each of these tunes remains beloved, by audiences large or small, and the faithful, heartfelt nostalgia combined with the pair's participation in the scene makes Under the Covers, Vol. 3 the best trip down memory lane the duo has yet made.
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